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Lukács, G., Kawai, C., Ansorge, U., & Fekete, A. (2023). Detecting concealed language knowledge via response times. Applied Linguistics Review, 14(4), 1027-1044. https://doi.org/10.1515/applirev-2020-0130

Cotter, K. N., Rodriguez-Boerwinkle, R. M., Christensen, A. P., Fekete, A., Smith, J. K., Smith, L. F., Tinio, P., & Silvia, P. J. (2023). Updating the Aesthetic Fluency Scale: Revised long and short forms for research in the psychology of the arts. PLoS ONE, 18(2), [e0281547]. https://doi.org/10.1371/journal.pone.0281547

Fekete, A., Pelowski, M., Specker, E., Brieber, D., Rosenberg, R., & Leder, H. (2023). The Vienna Art Picture System (VAPS): A dataset of 999 paintings and subjective ratings for art and aesthetics research. Psychology of Aesthetics, Creativity, and the Arts, 17(5), 660-671. https://doi.org/10.1037/aca0000460

Fekete, A., Specker, E., Mikuni, J., Trupp, M., & Leder, H. (2023). When the painting meets its musical inspiration: The impact of multimodal art experience on aesthetic enjoyment and subjective well-being in the museum. Psychology of Aesthetics, Creativity, and the Arts. https://doi.org/10.1037/aca0000641

Cotter, K. N., Fekete, A., & Silvia, P. J. (2022). Why Do People Visit Art Museums? Examining Visitor Motivations and Visit Outcomes. Empirical Studies of the Arts, 40(2), 275-295. https://doi.org/10.1177/02762374211011740

Fekete, A., Maidhof, R. M., Specker, E., Nater, U. M., & Leder, H. (2022). Does art reduce pain and stress? A registered report protocol of investigating autonomic and endocrine markers of music, visual art, and multimodal aesthetic experience. PLoS ONE, 17(4), [e0266545]. https://doi.org/10.1371/journal.pone.0266545

Specker, E., Fekete, A., Trupp, M. D., & Leder, H. (2021). Is a "Real" Artwork Better than a Reproduction? A Meta-Analysis of the Genuineness Effect. Psychology of Aesthetics, Creativity, and the Arts. https://doi.org/10.1037/aca0000399

Rodriguez, R. M., Fekete, A., Silvia, P. J., & Cotter, K. N. (2021). The art of feeling different: Exploring the diversity of emotions experienced during an art museum visit. Psychology of Aesthetics, Creativity, and the Arts, 18(3), 303-314. https://doi.org/10.1037/aca0000443